In 1913 the philosopher Ludwig Wittgenstein fled the interruptions and distractions of Cambridge to live as a hermit in Norway. No one knew him there, and he could focus on his work on logic in isolation. It worked. He lodged for a while with the postmaster in Skjolden, a remote village 200 miles north of the city of Bergen, and later had a hut built overlooking the fjord. Alone, he wrestled with the ideas that would metamorphose into his Tractatus Logico-Philosophicus (1921). Anyone who tried to pass the time of day with him got short shrift. ‘Go away! It’ll take me two weeks to get back to the point where I was before you interrupted me,’ he is supposed to have shouted at one local who made the mistake of greeting him as he stood pondering what could not be said. From Wittgenstein’s perspective, the year he spent in Norway was the source of much of his philosophical creativity, some of the most intense thinking this markedly intense philosopher achieved in his lifetime. While there, he did little more than think, walk, whistle, and suffer from depression.
Wittgenstein ensconced in his Norwegian ‘hut’ (really, a two-storey wooden house with a balcony) is for many the model of a philosopher at work. Here the solitary genius sought out isolation that mirrored the rigours of his own austere philosophy. No distractions. No human company. Just a laser-like mind thinking about first principles, as he stood surveying the fjord or strode through the snow. Wittgenstein had precedents. The sixth-century Boethius wrote his Consolation of Philosophy in a Roman prison cell, his mind focused by his imminent execution; Niccolò Machiavelli produced The Prince (1532) in exile on a quiet farm outside Florence; René Descartes wrote his Meditations on First Philosophy (1641) curled up next to a fire. Jean-Jacques Rousseau was happiest living in the middle of a forest, away from civilisation, and so on. Philosophy in its highest forms seems intently solitary and often damaged by the presence of others.
Wittgenstein ensconced in his Norwegian ‘hut’ (really, a two-storey wooden house with a balcony) is for many the model of a philosopher at work. Here the solitary genius sought out isolation that mirrored the rigours of his own austere philosophy. No distractions. No human company. Just a laser-like mind thinking about first principles, as he stood surveying the fjord or strode through the snow. Wittgenstein had precedents. The sixth-century Boethius wrote his Consolation of Philosophy in a Roman prison cell, his mind focused by his imminent execution; Niccolò Machiavelli produced The Prince (1532) in exile on a quiet farm outside Florence; René Descartes wrote his Meditations on First Philosophy (1641) curled up next to a fire. Jean-Jacques Rousseau was happiest living in the middle of a forest, away from civilisation, and so on. Philosophy in its highest forms seems intently solitary and often damaged by the presence of others.
Nigel Warburton, Aeon
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